{"id":69,"date":"2022-10-17T11:35:04","date_gmt":"2022-10-17T09:35:04","guid":{"rendered":"https:\/\/film-sound-design.de\/?page_id=69"},"modified":"2022-11-22T08:52:20","modified_gmt":"2022-11-22T07:52:20","slug":"immersive-sound","status":"publish","type":"page","link":"https:\/\/film-sound-design.de\/?page_id=69","title":{"rendered":"Immersive Sound"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"710\" src=\"https:\/\/film-sound-design.de\/wp-content\/uploads\/2022\/11\/Gummibaender-Planetarium-1024x710.jpg\" alt=\"\" class=\"wp-image-138\" srcset=\"https:\/\/film-sound-design.de\/wp-content\/uploads\/2022\/11\/Gummibaender-Planetarium-1024x710.jpg 1024w, https:\/\/film-sound-design.de\/wp-content\/uploads\/2022\/11\/Gummibaender-Planetarium-300x208.jpg 300w, https:\/\/film-sound-design.de\/wp-content\/uploads\/2022\/11\/Gummibaender-Planetarium-768x532.jpg 768w, https:\/\/film-sound-design.de\/wp-content\/uploads\/2022\/11\/Gummibaender-Planetarium-1536x1064.jpg 1536w, https:\/\/film-sound-design.de\/wp-content\/uploads\/2022\/11\/Gummibaender-Planetarium-1104x765.jpg 1104w, https:\/\/film-sound-design.de\/wp-content\/uploads\/2022\/11\/Gummibaender-Planetarium.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Seit den ersten Versuchen schon von Mehrkanalton in den 1950er Jahren in sogenannten Cinerama-Kinos thematisiert der Gestaltungswille f\u00fcr Sounddesign immer wieder auch die M\u00f6glichkeit Zuh\u00f6rer aus unterschiedlichsten Richtungen mit Klang zu bestrahlen. Dahinter steht der Wille einen einh\u00fcllenden Klangraum \u2013 meistens f\u00fcr audio-visuelle Erlebnisse \u2013 zu gestalten.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mit dem Siegeszug von Surround im Kino seit den 1970er Jahren haben haben sich die Formate dazu zun\u00e4chst in immer weiter ausdifferenzierte Lautsprecherkonfigurationen aufgf\u00e4chert (Dolby-Stereo, 5.1., 7.1), um in den letzten Jahren zu einer Formatvielfalt zu expoldieren.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dabei spaltete sich das immersive Sounddesign in zwei Anwendungsformen auf:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Kreation von H\u00f6rr\u00e4umen mit zahllosen Schallquellen bis hin zum Objektorientierten Klang.<\/li>\n\n\n\n<li>Kreation immersiver H\u00f6rerlebnisse \u00fcber Kopfh\u00f6rer (2 Klangschalen)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Dolby-Stereo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Surround<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Atmos, Auro 3D<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wellenfeldsynthese<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ambisonics<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Spatial Audio<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Links:<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.idmt.fraunhofer.de\/en\/institute\/projects-products\/spatialsound-wave.html\" target=\"_blank\">Fraunhofer Spatial Sound Wave<\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.newaudiotechnology.com\/about-us\/\" target=\"_blank\">New Audio Technologies<\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.production-partner.de\/story\/3d-audio-trends-immersive-sound\/\" target=\"_blank\">Production Partner<\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.stormaudio.com\/immersive-sound\/\" target=\"_blank\">Stormaudio<\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.planetarium-bochum.de\/de_DE\/hom\" target=\"_blank\">Planetarium Bochum<\/a><br><a href=\"https:\/\/fulldome-festival.de\/info-2\" target=\"_blank\" rel=\"noreferrer noopener\">Full Dome Festival Jena<\/a><br><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seit den ersten Versuchen schon von Mehrkanalton in den 1950er Jahren in sogenannten Cinerama-Kinos thematisiert der Gestaltungswille f\u00fcr Sounddesign immer [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-69","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/film-sound-design.de\/index.php?rest_route=\/wp\/v2\/pages\/69","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/film-sound-design.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/film-sound-design.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/film-sound-design.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/film-sound-design.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=69"}],"version-history":[{"count":6,"href":"https:\/\/film-sound-design.de\/index.php?rest_route=\/wp\/v2\/pages\/69\/revisions"}],"predecessor-version":[{"id":187,"href":"https:\/\/film-sound-design.de\/index.php?rest_route=\/wp\/v2\/pages\/69\/revisions\/187"}],"wp:attachment":[{"href":"https:\/\/film-sound-design.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}